2/14/2024 0 Comments Slog lut for fcp 7If the LUT has a -1p50 suffix, it will reduce the brightness by 1.5 stops. If the LUT has a -1p00 suffix, this LUT will reduce the brightness by 1.0 stops. Within the grading LUT folder you will find LUTs with exposure offsets that will provide optimal results with material that has been exposed brighter or darker than the base level. Within the download file, you will find a camera LUT for use in the camera, plus a set of 3D Cube LUTs for use in most post-production grading and editing packages. With the FX9, I recommend you use the EI that matches your chosen base ISO-so either 800EI or 4000EI-then use this LUT in post-production. Personally, I like to use 800EI with the FS7, which results in an exposure +1.3 stops brighter than the base S-Log3 exposure level. You should use S-Log3 and S-Gamut3.cine and expose either normally or, with the FS7 and FS7 II, up to no more than 1.5 stops above the normal S-Log3 levels. The LUT is designed for use in-camera as a “User Look” with the FS7 and FS7 II, as well as for use in post-production with any Sony S-log3-capable camera. In the short demo film “The SoLUTion,” the key light is opposite the camera in the bar scene and edit-suite scene. Filming with the camera pointing toward the key light or just off the axis of the key light helps replicate the movie look. It is a very different look to the typical TV look, where the key light is typically placed in line with, or to the rear of, the camera. This technique can be used to create dramatic-looking deep shadows on the actors’ faces. It should also be noted in the exterior shots how the greens of the plants and foliage in the background are subdued compared to the teal and orange tone.įeature films and drama often use lighting where the main key light is placed opposite the camera. In the bar scene I used additional lights with blue and red gels to add blue and red reflections and highlights that work well with the LUT. This creates nice blue highlights on the edge of the computer monitor. Examples of this can be seen in the video where, in the first scene, the actress’ face was lit with a warm light while cooler daylight comes from the windows behind. Other techniques such as mixing tungsten-balanced warm lights for faces and skin tones, plus daylight-balanced cooler lights for backgrounds, can also further increase the contrast between the faces of the actors and the rest of the scene. In the short film I shot to demonstrate the Blockbuster look, I chose an orange/brown top for the actress and a blue shirt for the actor to work in sympathy with the LUT. The use of teal or orange clothing and props can further enhance the effect. It tends to work best for darker scenes such as interiors or night scenes, but most exteriors will also work well. The look works well across a broad range of scene types and lighting. Meanwhile, faces and skin tone will strongly contrast with the rest of the scene. The end result is a modern, slightly bluish “steely” look, with strong contrast and deep blacks. The green saturation is slightly reduced to make the teal and orange tone stand out. Then, skin tones and similar pink-to-red shades are isolated and shifted slightly toward orange, and the saturation of these tones is increased. So even a white shirt will have a slight teal tint. Then a teal tint is added to the entire image, whites included. The Blockbuster LUT works by first increasing the overall contrast, making shadow areas quite dark. The complimentary colors typically used in many blockbuster movies are teal and orange. It soon proved popular enough for Sony to suggest I shoot a promotional clip to show off the potential of LUTs with their cameras, and as part of that production, I came up with ideas for enhancements that resulted in a V2 version.Ī common method used to create a stylized look for a movie is to not just increase the luminance contrast, but to also increase the color contrast by using complementary colors, colors that are opposite each other on the color wheel. The Blockbuster LUT was created to mimic the look of many recent summer blockbuster movies.
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